} INTERVIEW »Così fan tutte« – Regisseurin Mariame Clément spricht im Interview über ihre Sicht auf Mozarts Werk: ✨ Warum die Zeit das eigentliche Problem – und zugleich die große Stärke – des Stücks ist ✨ Wie Bühne und Kostüme ein elastisches Zeitgefühl entstehen lassen ✨ Und weshalb es ihr wichtig ist, das Publikum einzuladen, »Così« ohne Vorurteile neu zu entdecken Für Clément ist die Oper weniger eine Geschichte über Untreue, sondern ein Stück über die Angst, dass Gefühle sich verändern könn

13 reactions | Describe Così fan tutte in three words... Opera Queensland's praised reimagining has audiences raving. Only one week until Così fan tutte must close at QPAC! > atqp.ac/oqcosifantutte_23  PixelFrame | QPAC | Facebook

89 reactions · 3 comments | Mozart's Così fan tutte revolves around two pairs of young lovers, trying to navigate their lives. Our upcoming season at Sydney Opera House has energetic, fresh singers in these fabulous roles. We're going to introduce them over the coming week! First up is Nathan Lay, who plays Guglielmo! opera.org.au/cosi | Opera Australia | Facebook

6.7K views · 413 reactions | Undercover lovers  狼 With glorious music and a hilarious, twisting plot, Mozart's comedy Così fan tutte is hailed as a classic for good reason. Stream The Royal Opera's production with a 14-day free trial ▶️ https://roh.org.uk/StreamDF4 | Royal Ballet And Opera | Facebook

6.4K views · 305 reactions | [REPLAY]  It is said that Mozart disliked disliked La Ferrarese, for whom the role of Fiordiligi in Così fan tutte was created. Knowing her tendency to drop her chin on low notes and throw back her head on high ones, he wrote the aria "Come scoglio" in order to make her head "bob like a chicken" onstage. Staatsoper Unter den Linden Federica Lombardi  https://cutt.ly/REMeweE | medici.tv | Facebook

Soprano Nicole Car stars as Fiordiligi when Mozart’s enchanting romantic comedy Così fan tutte returns tomorrow, February 15. Here, she sings an excerpt from the Act I aria “Come scoglio” in the final dress rehearsal. Performances through March 14. Buy Tickets: bit.ly/3895r7L Videography by Pete Scalzitti / Met Opera | The Metropolitan Opera