This cinematic, low-polygon ad looks digital but is in fact live action, with choreographed NPC characters and hand-painted costumes.

Working with a plethora of clients like Hermés and Society Mag to deliver densely packed editorial illustrations, this artist’s love for the botanical and trippy shines through.

The Spillll collective sees what’s served up at the table as fertile ground for radical discussions.

The artisan perfume company’s film practice is at the centre of its success in world building. We talk to Ffern’s co-founder Emily Cameron about what the brand’s approach to marketing has borrowed ...

Xiao Hua Yang paints in unfamiliar purples, greens and yellows, rendering the natural world as something alien but always exciting.

People think opera and ballet isn’t for them – that it’s elitist, expensive and intimidating. Institutions need to change that perception, argues Base Design’s Thierry Brunfaut.

Animators Will Anderson and Ainslie Henderson share just how the uncanny homonculi came to life using stop motion, live action puppets, a splash of CG and heaps of imagination. (Contains spoilers.) ...

Tired of your creative ideas being met with pushback at every turn? Kat Wong finds ways to bridge the gap and win them over in this week’s Creative Career Conundrums.

Jordan’s Furniture becomes just Jordan’s – and in the process, distills everything about the homeware brand down to dots and lines, making it minimal in presentation but loud in playfulness.

Christopher Mcholm, an artist from Cranbrook, Canada, doesn’t need to be asked how he creates his art – it’s straight to the point. In a visual culture where we’re often asking artists ‘what program ...

Unlike many photographers, this Sofia-based image maker has no interest in making his sitters ‘comfortable’ – instead, he seeks vulnerability.

The photographer’s first photobook brings together 50 people over 220 pages, to question and examine what it means to “look or act” like a dyke today.