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Drama Geek Studios will present “Repo! The Genetic Opera!” with a shadow cast in an audience-interactive and -immersive ...
The Genetic Opera. Repo! The Genetic Opera was born out of passion, anger, reckless abandon and a DIY-punk attitude that would have made Sid Vicious proud. The result was a subpar horror musical ...
Back in 2008, director Darren Lynn Bousman brought us the rock opera horror film Repo! The Genetic Opera (watch it HERE) – ...
The Genetic Opera" would be cutting-edge fare for the latenight crowd; one can almost hear the aud's partisan cheering for different internal organs, depending on what is being eviscerated at any ...
For complete listing and updates visit the official website for the road tour, www.reporoadtour.com Repo! The Genetic Opera The film was produced by Daniel Heffner, Carl Mazzocone, Mark Burg and ...
Celebrated writer Staci Layne Wilson goes behind the scenes into the dark and dazzling world of Repo! The Genetic Opera like never before, revealing the development and making of the movie ...
Screenings of the futuristic tale of family secrets, botched plastic surgeries and genetic destiny now take ... he meets execs who say “Sorry about Repo!” To him, the movie has succeeded ...
Revealing influences ranging from “Rocky Horror Picture Show” to “Sweeney Todd” to the unjustly forgotten “Phantom of the Paradise,” “Repo! The Genetic Opera” is a low-budget ...
Repo! The Genetic Opera Production: A Lionsgate release of a Twisted Pictures presentation of a Burg/Koules production. Produced by Daniel Jason Heffner, Carl Mazzocone, Oren Koules, Mark Burg ...
When Darren Lynn Bousman decided to make Repo! The Genetic Opera he sensed the cult potential in its distinctive retro future Goth story. DARREN LYNN BOUSMAN: In the future people can buy and sell ...
spends evenings messily ”repossessing” organs at the behest of biotech mogul Sorvino in Repo! The Genetic Opera. And it’s an opera. Cue Paris Hilton, industrial-rock din, spinal extractions ...
The blood-feud operatics of director Darren Lynn Bousman's self-described cult film are ambitious indeed. This is a rock opera, with nary a spoken word in sight. The hit-and-miss score assaults ...