but whom we already know thinks of himself as the Red Dragon – will interest a much wider demographic than Hannibal the Cannibal: “You, with your fancy allusions and your fussy aesthetics, you ...

And the less said about Brett Ratner’s 2002 Red Dragon, which entirely ... and broken bodies could be given the same aesthetic weight as one of Hannibal’s innumerably savoury, and human ...

The Red Dragon is here ... challenge to us to be mindful of what we see. On a show like Hannibal, we cannot ever separate the aesthetics from what they represent. The beauty on this show, whether ...

So in Dolarhyde's obsession with aesthetics, we have a direct mirror back to Hannibal, who makes use of ... canon than they have before with the Red Dragon arc, and to that end Will Graham is ...

Aesthetic: Light antiseptic tones, the angel versus Hannibal's dark-hued demon. Weapon of choice: A tie clip. Sensing a threat, Hannibal invites Dr. Sutcliffe over for dinner. Sutcliffe stumbles ...

Of course, plans change, and the adaptation of Red Dragon ultimately came ... As it happens, dark shadowy blood matches Hannibal’s overall aesthetic perfectly, so that particular note worked ...